Bloody Daughter -- Film Review
Bloody Daughter
A Film
by Stephanie Argerich
The title of this film is misleading. It suggests either abuse or extreme hardship
or menstruation, but none of these play out in the film. While ninety percent of the film focuses on Stephanie Argerich's mother, the renowned pianist, Martha
Argerich, the title comes from her father, Stephen Kovacevich, himself a
pianist of the first order, and seems to refer to the roughness in Stephanie's
relationship with him. He offers an
explanation of the term 'bloody daughter,' which doesn't quite make sense, and
seems to reflect confusion and misunderstanding. The term 'bloody' is a British expletive of
disputed origins which is used as an intensifier, similar to the way we use
'damn' in the United States, or a less savory word that is much rougher and
cruder. It doesn't really fit well with
the content of this film. I wish they
had been able to dream up a different title.
But the film is outstanding.
It is a disarmingly intimate portrait of a very unusual family of
remarkably talented people. It is classified as a documentary, but it is
actually a personal journal, rather than an attempt to construct an organized
narrative of the facts. There are very
intimate scenes throughout this film.
Things one would not ordinarily include in a documentary. A sequence of Martha waking up in bed in the
morning and sipping her coffee at her bedside.
A tense scene between Stephanie and her father doing paperwork to obtain
his official acknowledgement of Stephanie as his daughter. Kovacevich has stalled and dragged his feet on
this matter for thirty-four years. No
explanation of what that is about. An
outdoor scene of Martha and her three daughters painting their toenails and
discussing their lives in a park. Martha
is on camera through most of the film.
Stephanie is intently preoccupied with her mother. There are many close ups of her mother's face
and eyes, as if she is trying to incorporate her mother or understand her
mother through the camera.
While there is a lot of conflict and tension within this
family, there is also great warmth and strong personal bonds. I wouldn't call this a dysfunctional family
at all. The members are engaged with one
another, there is good communication between them, and there seems to be a lot
of basic good will among them, despite some friction and misunderstanding. They are a family that introspects more than
is common in the United States, I would judge.
They seem to make a genuine effort to understand themselves and their
relationships to a degree that I find unusual as an American. American people are not very self-knowing,
and one seldom hears them discuss their family relationships with much
sensitivity or insight. This film is
strikingly different in that respect.
There is great music throughout the film. Both Martha Argerich and Stephen Kovacevich
are world class pianists. There are
sequences of them performing at various stages of their lives. It is clear that music serves as an adhesive that
binds all of these people together.
The film is in French and English with subtitles available
in a number of other languages as well.
There is a menu where you can select.
Argerich speaks French despite originating in Argentina. Kovacevich is American, but has lived most of
his adult life in England. Stephanie
speaks English, and French with her mother.
If you like classical music, piano, or European life and culture, this
is an excellent film that is a personal, in depth study of a fascinating family
of top quality musicians.