The Strange Case of Wilhelm Reich -- Film Review
The Strange Case of Wilhelm Reich
Directed
by Antonin Svoboda
There are many things about Wilhelm Reich that never made
sense to me. I was hoping this film
would clarify some of them, but it did not.
In fact, seeing this fictional depiction of him made me even more
puzzled. I have read many of Reich's
psychoanalytic writings and always judged him to be the smartest and best of
the younger generation of psychoanalysts that succeeded Freud. Reich understood the social implications of
psychoanalysis and he understood the limitations of therapy focused individuals
and the particular symptoms they present.
He saw the "neurotic" symptom as a manifestation of a
structural problem that has to be understood in the context of one's general
character. The symptom never occurs in
isolation, but always in the context of one's personality and familial
constellation. Similarly, the problems
of individuals, although always specific and unique to particular
circumstances, occur at the same time within a wider social context that
provides the soil and the nurturing for similar kinds of difficulties that
arise in the lives of many individuals living under those same cultural
circumstances. It is therefore necessary
to understand and to address mental illness not only on the level of the
individual, but also as a manifestation of cultural and social malaise. This was one source of friction between Reich
and the political and institutional establishment.
But there were others.
I am not as familiar with his later work on what he called "orgone
energy." I was hoping that the film would shed some light on this
since this was what led to his wrangling with the U.S. government, the FDA, the
American Psychiatric Association, and the Justice Department. However, this film is not an in depth
presentation of ideas. It is a
dramatization, not a documentary. There
is nothing inherently wrong with this approach, but the outcome differs
considerably from my expectations and hopes.
If we take the film on its own terms, and evaluate how well
it accomplishes the tasks it sets for itself, I would only give this a grudging
C minus. It is nice to see someone
lifting Wilhelm Reich once again into public view, but what you get here is a
kindly, benign, grandfatherly figure who seems harmlessly eccentric, yet for
some reason is relentlessly and severely pursued by the FBI and the FDA --
quite unjustly as it appears. But it
doesn't make sense. If Reich were crazy,
if his ideas were loony, if he were simply on some bizarre, fruitless quest
destined to go nowhere, why would the FBI and the FDA spend so much time and
energy trying to thwart him, stop him, silence him, and eventually put him in jail? Reich was a much more rough edged person that
what is portrayed in this film. Reich
was combative, driven, stubborn, nonconforming, egotistical, and paranoid
(perhaps with good reason). And his
ideas were subversive. However, one does not get that from this
film. I would like to see a little more
clearly who was out to get him and why.
Reich had considerable difficulty in his personal life. The film shows some hints of ambivalence in
his relationship with his daughter, Eva, but we don't get any insight into
this, no deep exploration that might reveal character or psychic conflict. There is nothing about his background in
Vienna, nothing about growing up, his parents, his first wife, Freud makes only
a cameo appearance, and we do not see his influence on Reich nor the reasons
they parted ways. It is very shallow
biographically. It is hard to understand
the point of this film. Are they just
trying to portray Reich as the hapless victim of a mindless vendetta by the
U.S. government? Is that all there was
to it? The film is completely vacuous on
this score.
The film brings up Reich's disappointing relationship with
Albert Einstein, but it leaves open whether Einstein himself considered Reich
to be a quack or if Einstein's aides blocked Reich's access to Einstein and
prevented their collaboration. This is
another point where, in my view, the dramatization does not offer enough
substance to do the issue justice. A
more straightforward, documentary approach would have been more satisfying,
here, and in many other issues raised by the film.
To get started on understanding Reich, you have to
understand his ideas on psychoanalysis and particularly his differences with
Freud and the intellectual debt he owed to Freud. In Reich
Speaks of Freud, Kurt Eissler conducted a lengthy interview with Reich about
Freud and related topics that is fascinating for its illumination of the
personal relationship between Reich and Freud and the intellectual differences
that led to their parting. You can get a
much better feel for who Reich was as a person and the direction of his ideas
from this volume than you can from this film.
But this lengthy interview leaves much unexplored and unexplained, and
that was where I was hoping the film would pick up and expand. But, alas, it did not. The film creates an impression of Reich that
differs markedly from the Reich we see in this 1952 interview. The Reich in the film is a tame version, a
soft soap version of the Reich in the interview. It is clearly a fictionalization and one that
tends to obscure and distort rather than enhance ones understanding of the
subject. I came away very disappointed
in this film. There is a lot more I
would like to know about Wilhelm Reich.
I hope someday someone will put together a film that will treat him with
the depth and insight that he deserves.
Seen at the Jewish Film Festival, Castro Theater, San Francisco, July 30, 2013.
Higgins, Mary; and Raphael, Chester M.; Eds. (1967)
Reich Speaks of Freud. New York:
Farrar, Straus, and Giroux.