Emperor -- Film Review
Emperor
Directed by Peter Webber
This is two
films in one. The main story is a
narrative about the aftermath of the Japanese surrender to the Americans at the
end of World War II and General Douglas MacArthur's deliberations over what to
do with Japanese Emperor Hirohito. The
issue was whether he should he be tried and executed as one of the architects
of the war, or allowed to continue as titular ruler of Japan? The film is misnamed. It is not about the Emperor. The Emperor is only a minor figure in the
film. It is about General Bonner Fellers
on MacArthur's staff, who is charged by MacArthur with investigating Hirohito's
guilt in war crimes. His report will
provide a justification for a decision that MacArthur had already made to allow
Hirohito to continue on as Emperor of Japan.
The secondary story is a love story between Fellers and a Japanese woman
Fellers met in the United States, who is related to a senior officer in the
Japanese military. The love story is
much more interesting and better presented than the political narrative. The girl is gorgeous (Eriko Hatsune) and she
plays the role perfectly. I think if
this film had been recast to present the love story as the center weight of the
film with the political drama as a backdrop, it might have worked better.
I am not
steeped in the history of this period or in the biographies of any of the
individuals portrayed. So I am taking
the film at face value. I won't make any
judgment about whether the portrayals and the facts and the interpretations are
historically accurate. I will say that I
did not find the performance of Tommy Lee Jones as Douglas MacArthur convincing
at all. In general, none of the
portrayals of the American military officers came across as genuine. On the other hand, the Japanese actors who
played the roles of the Japanese officials were very effective.
The film
attempts to teach some lessons on the nature of Japanese culture or the essence
of the Japanese soul. These discussions between
Japanese and American officials take place mostly in the context of the
military investigation into the role of Hirohito during the war. This also has a superficial quality about it
that I found myself resisting. What
actually taught more about the Japanese mentality and the culture was the
romance. It did it through the action
and characterizations rather than through analytical discussion.
The film
also tries to raise the issue of responsibility for the war and the nature of
war crimes by comparing the war time behavior of the Japanese military and the
American. Again, this is a lightweight
treatment that is completely unimpressive.
The romance (and Eriko Hatsune) is the best part of this film.
The film is
engaging and tells an interesting story -- actually two interesting stories that are intertwined. The things it tries hardest to do probably
don't succeed all that well. The subplot
that simply told itself and didn't think too much worked a lot better.